"Toy Story 5" - I knew it!

Remember when you cried at the end of Toy Story 4 and thought it was a really good way to end the franchise? You were right - it was a really good way to end the franchise. The problem is the movie grossed over $1 billion dollars at the box office and no way was Disney going to pass up another potential billion-dollar Toy Story sequel. They've got kids to feed.

What you didn't realize while you were drying your eyes was that it was really only the end of Woody's (Tom Hanks) story. Not that they can't go right back to that well; there are plenty of lost toys for Woody and Bo Peep to help find owners for over the course of a future full-length animated feature. And Woody does play a supporting role in Toy Story 5. Let's not get ridiculous thinking they put him on the Toy Story 5 movie poster for no reason. But rest assured, Woody is not the main character in Toy Story 5.

Jessie (Joan Cusack) is the main character, now the leader of the toys owned by eight-year-old Bonnie. And everything is going well. The toys are being played with, Bonnie is being creative, and Buzz Lightyear (Tim Allen) is trying to work up the courage to propose to Jessie. I know - I forgot that last one was a thing, too, even though it goes all the way back to Toy Story 2. I blame the Lightyear movie for erasing that plotline from my brain.

Jessie's chief concern is finding a way for Bonnie to make friends. Bonnie is really shy and "plays different" than other kids. Bonnie's parents recognize Bonnie's struggles and decide the answer is to get her a Lilypad (tablet computer) so she can more easily connect with other kids. Jessie becomes alarmed when some discarded toys in a backyard tell her that screens will be the end of Jessie's play time. That night, Jessie notices a screen glowing in the bedroom window of every house she can see and resolves to prevent Lily the Lilypad (Greta Lee) from taking over the room.

At this point, the story follows a similar path as Inside Out 2. A girl is trying to fit in with others by doing things that aren't necessarily healthy, but definitely familiar to every one of us who still remembers childhood. It also provides all parents with a bit of affirmation by showing typical behavior from kids when on their screens/devices. Kids staying up all hours of the night, can't leave a room without the device, have to answer text messages immediately, nodding that they heard you when you asked them a question. I looked directly into my son's eyes during this sequence and he looked right back, but with mischief in his eyes. Oh, he heard me alright. He heard me every...single...time.

In addition to the perceived evils of screentime, the movie also tackles a fear that we all can relate to - a fear of being useless or forgotten. This existential crisis drives Jessie to do risky things and causes her to get lost and end up at another girl's (Blaze) house. There, Jessie meets some discarded toys that she looks down upon because those toys are in fact devices. Just like Lilypad. Dun-dun-dun.

As a parent and former child, I can relate to all this and that is the power of the Toy Story franchise. In a word, nostalgia. In fact, that's what Taylor Swift wrote about in the film's featured song "I Knew It, I Knew You" (it plays when the end credits roll). It's not just about looking back and being afraid of being forgotten. It's about looking back and realizing you mattered to someone and they mattered to you. And boy does this song threaten to make you cry if the movie doesn't do it first.

Suffice it to say the storytelling is, once again, top notch, and that's not all. As with the entire franchise, the film delivers a ton of laughs, some fun action scenes, and sprinkles in toys we all remember or currently trip on in the backyard. There's also a new feature in the film that adds a fun dimension to the storytelling. When Bonnie or Blaze is playing with their toys, the animation style changes to the kind favored by the Spider-verse films. It looks like it's still sketchy, but also manages to be have some real depth and color to it. It's a great compliment to the typical animation that Pixar is known for. And all of which adds up to a movie that will definitely keep Disney's kids fed.

Rating: Don't ask for any money back, but maybe a tissue or three.

"Disclosure Day" - I want to believe.

The idea has been around for decades that the government has been hiding proof of the existence of aliens. Specifically, that aliens have visited Earth. Just recently, the Pentagon released a bunch of declassified files about UAP (Unidentified Aerial Phenomenon) investigations that proved exactly as much as every other information release regarding UAP (renamed from UFO some years ago). In a word - nothing. Personally, I do not believe that aliens have ever visited Earth. Definitely not since human beings invented civilization. I'm definitely open to the possibility, on the condition that any evidence presented is clear and irrefutable. But the biggest reason I don't think aliens have been here is because it requires me believing that they crash their spacecraft. Crash them a lot.

Disclosure Day is what all the alien conspiracy theorists dream of. It's the day we find out that aliens have been zipping around the skies of Earth for years. It's the day we find out the government knew about the aliens, even captured some of the aliens. It's the day we see the "real" video of UFO/UAP encounters; clear and detailed images of extraterrestrial craft and biologics rather than grainy videos of glowing orbs or flocks of seagulls. It's the day we confirm that despite wildly advanced technology allowing aliens to travel vast distances and defy the laws of physics, they crash more often than a drunk, fully self-driving Tesla.

Daniel Kellner (Josh O'Connor) is a cybersecurity specialist working for the Wardex corporation. Daniel has stolen copies of all of their files related to the existence of aliens, as well as a piece of alien technology. Noah Scanlon (Colin Firth) is the head of Wardex and wants his stuff back. Daniel is working in league with another Wardex employee named Hugo Wakefield (Colman Domingo) to release all of the information to the public. After a botched attempt to trade Daniel his girlfriend Jane (Eve Hewson) for the alien stuff, Daniel and Jane go on the run from Noah while Hugo finishes setting something up in preparation for the information release. It's a story and plot we've seen in countless other films, but director Steven Spielberg (also wrote the story) and writer David Koepp aren't content with just that.

Margaret Fairchild (Emily Blunt) is a meteorologist in Kansas City who wants more out of life than TV weather girl. When a cardinal flies into her apartment and looks at her, she gets what she asked for. She starts reading minds and speaking different languages, including an alien language while on air doing the local forecast. When that video goes viral, Noah and friends see it and immediately set out to capture Margaret. So too does Hugo, once he's clued into the video. Once all of these people are in motion, we find ourselves engrossed in a classic Spielberg film.

You know what I’m talking about. Clear goals and motivations for the characters. Steady pacing to build drama all the way to the climax. A well-defined plot that’s easy to follow. Actors delivering good performances, if not great performances. On that note, shout out to Hewson for some excellent work in the second act of the film. She’s asked to shapeshift (I won’t say how) and she does a remarkably good job going back and forth.

And of course, the special effects and musical score are top shelf. Close your eyes for a second and you immediately recognize music that can only come from John Williams. Then, open your eyes and soak in the beautiful visuals and long takes, including a four-minute take where Blunt vocalizes the alien language...with no SFX or AI assistance. Things like this are why we always show up for Spielberg films.

A friend that came with me was really interested in seeing the film. What I didn’t know prior to inviting him was that he hadn’t been to a movie theater in over a decade. When we sat down, he was surprised to find reclining chairs and plenty of legroom. The look on his face was one of joy. When the credits rolled, I asked him if this movie was worth returning to theaters for and that look was still there as he emphatically said it was well worth it. I may not believe aliens have visited Earth, but I believe in the power of Spielberg.

Rating: Worth every penny, conspiracy theory or not.

"Pressure" - What do you know about pressure?

Does anybody actually like talking about the weather? I don't mean extreme weather like tornadoes or blizzards. I mean the kind of weather that dominates almost all small talk, especially after your older relatives run out of personal ailments to describe to you in excruciating detail. I'm sure you've been on a call with someone and they inevitably asked "How's the weather out there?" Ugh. Hearing that question makes me cringe the same way as when someone says "are we having fun yet?" as they walk past me in the hall at work. So...let's talk about Pressure, an entire movie centered on talking about the weather.

Ok, Pressure isn't just one hundred minutes about of a bunch of guys talking about the weather. It's one hundred minutes about a bunch of guys arguing about the weather. I realize that sounds as boring as a graduation ceremony or the movie Fences. But they aren't arguing about just any weather. They are arguing about the weather expected for Operation Overlord, a.k.a. D-Day. That's much better than listening to your uncle describe how the rain makes his knees hurt.

I've said in the past how much I appreciate movies that depict historical events, especially events I know nothing about. Pressure is one such movie - I had never heard that D-Day was postponed by one day, let alone that it was postponed due to weather forecasts. Dr. James Stagg (Andrew Scott) is tasked with leading a team that would gather weather data and provide a weather forecast for the invasion day to General Dwight D. Eisenhower (Brendan Fraser). This was no small responsibility, as the invasion included paratroopers, naval landings, and air cover - all of which could be led to catastrophe in bad enough conditions. Conditions like high waves, high wind, dense cloud cover. During a scene depicting a meeting between Stagg, Eisnehower, and several other high ranking military leaders, all will be made clear.

Like any historical drama film, there are a few liberties taken with the story to heighten the suspense. And a film about weather forecasting absolutely needs that thumb on the scale. It's the weather. The primary liberty is that Stagg is brought in to lead the team just seventy-two hours before the invasion. In the real world, he had been working with the team for months. But drama works best with a clock, and there isn't a better way to build drama than to bring in an outsider at the eleventh hour to save the day.

Also on the team is Irving Krick (Chris Messina) and he is the polar opposite of Stagg. Krick is a flashy American with a magnetic personality whom everyone likes. He believes the best way to forecast is to compare current conditions with historical data to predict what will happen. Conversely, Stagg is a brusque, no-nonsense Scotsman whom everyone finds to be disagreeable. He believes the best way to forecast is to collect as much data about current conditions as possible, analyze the data to predict what will happen, and to constantly remind everyone that the weather in Northern Europe doesn't give a crap what happened in the past. At one point, he will literally call Krick's methodology moronic, and Krick's indignation is so palpable you can almost taste it.

That's the beauty of this movie. It pits these two men against each other in a very short window of time, each of them trying to convince Eisenhower they are the smartest guy in the room. The suspense builds really well, particularly every time they show the sun shining as Stagg is adamantly stressing how poor the weather will be when it matters. And to top it off, there are some good supporting performances from Fraser, as well as Kerry Condon as Eisenhower’s aide, and Damian Lewis as British Field Marshall Bernard Montgomery. And that’s what I know about Pressure.

Rating: Don’t ask for any money back and, like always with these movies, go read more about history.